Suggests that Melville's rejection of biblical theology finds powerful expression throughout all of his later fictional prose and his verse. This title gathers together some of the criticism on the works of Melville, including Moby-Dick, Typee, Omoo, The Piazza Tales, and Benito Cereno.
This is Book 3 in the Bloom's Biocritiques Series. See all Bloom's Biocritiques books here.
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