From Waterstones Children's Laureate Joseph Coelho come 25 more bold and brave poems for children. These waltzing verses for reading aloud were written to comfort and inspire!
With his third read-aloud poetry book, Coelho focuses on building kids’ courage! It follows Poems Aloud and Smile Out Loud, books that have inspired thousands of little readers to harness the power of their own voice.
This new collection contains mantras to be true to yourself, to help you feel brave, project happiness, conjure a smile, make you laugh and cheer others up. Some are odes, some can be said as personal mantras and some are just poems that instil confidence and help children realize the power of their voices.
Reading these poems aloud will teach children the power of poetry, encouraging them to explore the magic of language and foster a love of verse. These rhymes perfectly complement school literature curriculums. Introduce your budding wordsmith to new verse and spark their imaginations with poems about boundaries, handling emotions and treasuring friendships.
This sparky anthology is peppered with witty and charming illustrations by Daniel Gray-Barnett to bring these powerful words to life in a way that’s appealing to children.
A sweet way to empower your little one and have them harness their inner power. From a few lines to a couple of pages, there’s a mix of long and short poems, making this book versatile and suitable for every situation.
This is Book 3 in the Poetry to Perform Series. See all Poetry to Perform books here.
See More Personal & social issues: self-awareness & self-esteem
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Joseph Coelho is a London-born poet and children's author. His poems have been published in several anthologies including Green Glass Beads, edited by Jacqueline Wilson. Joseph has been a guest poet on CBeebies 'Rhyme Rocket' where he was beamed up from 'The Rhyme Rock' to perform his Bug Poem and has featured alongside Michael Ros
More about Joseph CoelhoDaniel Gray-Barnett is an illustrator based in Sydney, Australia. Self-taught, he studied Medical Science at the University of Sydney before swapping his microscope for pencils when he realised illustration had a much lower patient mortality rate.
His illustrations have been commissioned by clients such as The New York Times, Sydney Opera House, The Boston