Roy Holmes is on a mission to cut through the dogma that has been constructed around piano playing ever since the words STRIKE THE KEYS were first used. By retrieving and analysing the approach of the earliest keyboardists, he has brought their fundamental methodology into sharp focus in a logical and methodical way, providing for today's pianists, and their teachers, a springboard, from which they may take a quantum leap into their own realms of technical and musical possibility. This investigation offers an intriguing exploration into the practical needs of the performer and the creative concepts of the composer. Technically informative and innovative, the project has the potential to breathe new life into too easily accepted traditional limitations.
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